In a recent episode of “Conversations with RIP” on Forgotten Kings TV, DJ Lazy K opened up about the tumultuous relationship between famed artists Jim Jones and Max B, shedding light on the complexities of loyalty and business in the music industry. The discussion comes at a pivotal moment, as Max B has just been released from prison after serving 17 years, creating a buzz in the hip-hop community.
During her conversation with host Ed Lover, DJ Lazy K recounted her experiences navigating the fallout between the two artists. She highlighted the pressure she felt to choose sides amid the feud, a situation that caught her off guard. “I never saw that coming,” she admitted, reflecting on how her friendship with both artists complicated her professional life. “I was just doing my work, and all of a sudden, I had to pick a side.”
DJ Lazy K, a well-respected figure in the hip-hop scene, began her career alongside iconic groups like Wu-Tang Clan and Roc-A-Fella Records. Her pivotal role in the mixtape game helped launch the careers of many artists, including the likes of Max B and Jim Jones. However, the rising tensions between the two left her in a precarious position, ultimately leading her to align with Max B during a crucial period of his career.
Max B’s recent release has been met with excitement, not just from fans but also from those in the industry who recognize his influence. DJ Lazy K expressed her joy at his return, stating, “I’m excited for him. It’s a lot to take in.” She noted that Max’s energy has been palpable since his release, and she looks forward to collaborating with him again. “He already told me he got plans for me,” she revealed, indicating that their partnership might soon reignite.
The conversation also touched on the changing landscape of the music industry, particularly the challenges faced by artists and DJs in a digital age dominated by streaming services. DJ Lazy K, who has remained a free agent, emphasized the importance of adaptability and resilience, stating, “I like to bring that good energy wherever I go. I love to see the people dancing.”
As the discussion unfolded, it became clear that the legacy of Max B and the impact of his music on the culture cannot be overstated. DJ Lazy K reminisced about the days when she was instrumental in promoting Max’s first major project, “Million Dollar Baby,” and the subsequent buzz it generated in the streets. “People were buying those CDs like crazy,” she recalled, underscoring her significant role in the mixtape movement.
Despite the difficulties that arose during the feud, DJ Lazy K maintains a deep respect for both artists. Her reflections suggest that while the business side of music can create tension, the bonds formed through shared experiences and creative endeavors remain strong. “I don’t discriminate,” she said, emphasizing her commitment to supporting artists regardless of their affiliations.
As the hip-hop community awaits potential collaborations between Max B and Jim Jones, DJ Lazy K’s insights serve as a reminder of the intricate dynamics at play within the industry. The possibility of reconciliation, even if just for a moment on stage, offers hope for a future where past grievances can be set aside in celebration of shared heritage and artistry.
With Max B’s return sparking renewed interest in his work, DJ Lazy K is poised to play a pivotal role in the next chapter of his career. As she prepares to drop her own projects and continue her advocacy for emerging artists, the excitement surrounding this new era in hip-hop is palpable. The streets are watching, and as DJ Lazy K aptly stated, “When my time comes, they gonna know.”
